Best Mastering Software For Mac 2017
The Best Writing Apps for Mac Now, let’s start digging into the best writing apps for your Mac. This list isn’t in order of best, but rather moves from most popular, most easily available, down to niche apps designed for specific purposes.
As I demonstrate in-depth in my new online course (), equalization can breathe life into a master, or even potentially save it from poor decisions made during mixing. Here are some of my favorite equalizer plugins for mastering The hardware version of the Manley Labs Massive Passive is an absolute staple in mastering studios. Having used them before (I’ve also been lucky enough to have visited the Manley Labs Factory), I can honestly say that the Massive Passive is a work of art, in both functionality and sound. UAD has done a wonderful job emulating the hardware with this plugin.
The high end is silky, the low end is defined, and the quality of everything in between solidifies the Massive Passive as an extremely musical equalizer, great for almost any task an engineer might need it for. Unique feature: I’d say the unique feature for the Massive Passive is that it has virtually everything a mastering engineer could want in an equalizer. High and low pass, a choice between shelf or bell on each band, Stereo Unlink — it’s truly versatile in addition to sounding flawless. Inexperienced engineers may be intimidated by the sheer number of controls found on the Massive Passive, but it’s extremely easy to use once you get used to it.
Whereas I use something like the Massive Passive for adding color or sheen to my material, the bx_digital V3 is my go-to subtractive EQ, and is in many cases, found at the beginning of my mastering chain. I use it to sweep through and find/remove unwanted frequencies before any other processing is applied, avoiding those problematic frequencies triggering, say, a compressor or saturator. It also works in, which is helpful for treating material like vocals, kick or bass independently of any material that might be panned to the sides. It has many other functions, and if you’re in the market for a surgical, transparent EQ plugin, I highly recommend this one. Unique feature: It solos the band as you click on the frequency knob, allowing you to sweep through and find problematic frequencies quickly and accurately.
Pultec EQP-1A Emulations There are a lot of emulations of this classic equalizer, and several of them are really great. I have my preferences, but my suggestion is to go and demo as many as you can to find the one that works best for you and fits your budget (links below). Though this is traditionally more of a, if a master needs clarity or low end weight, the Pultec does a fantastic job, and very quickly • • • • (technically this is a Tube Tech emulation) Unique feature: Technically you can boost and attenuate at the same exact frequency, which seems counterintuitive, but because the boost and attenuation curves are different, the resulting curve has its own.
Great for adding weight or sparkle to your material. This emulates the classic from Abbey Road Studios, so anything within six degrees of separation from is a must-own. The functionality is similar to the Massive Passive: four bands allowing for shelving or bell,, and the ability to unlink channels. However, I do find the Curve Bender feels more vintage, vibey and colorful. If I need something to feel more expressive, or pronounced in the upper-mids or highs, I’ll definitely choose the Curve Bender. Unique feature: It works in mid-side mode. All of the color and tone of the TG12345 available to process content in the center independently from the sides.
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